Our lamentful arts editor reviews End of the F***ing World Season 2 By Katelynn Browne…
Tag: netflix
Ryan Murphy, You’ve Done It Again By Isabel Logios Staff Reformed Gleek To anyone who…
But do you really need to be talking about them? By Taylor Mascetta Staff Shortstack…
What do you get when you put a junkie, a man with the body of a space gorilla, a movie star, a time traveling old man with the body of a child, Batman, a ghost and their emotionally repressed sister…? A pretty fun TV show.
There is an obvious irony in reviewing Netflix’s new film Velvet Buzzsaw, a film that has a deathly bone to pick with the art critics of the world
After two hilarious seasons, Netflix’s Big Mouth came out with a Valentine’s Day special, a double episode that promised to double the raunchy humor that audiences have become accustomed to from the show.
Truly charming, truly vicious, and truly evil, Ted Bundy was one of the most notorious serial killer of our time. A man of many faces, Bundy’s killing spree over the course of four years took the lives of over thirty women and spanned across seven states.
Given the numerous home shows available when you have a real television, you might wonder why you should watch another one on your laptop. The first two reasons should be obvious: it’s on Netflix and produced by the BBC. The even better reason is that it is nothing like any homes show you’ve seen before.
In “Sex Education”’s mere eight episodes it is able to tell a story that, although its particulars may vary from many people’s high school experiences; its overall message speaks towards the awkward universality of that time in people’s lives. There are a lot of moving components in this show, and they all add up to one pleasant viewing experience.
When I first watched Black Mirror’s Bandersnatch I was stunned. I sat trembling in my easy chair not in fear of the film at hand but in excitement towards the idea of it. For Bandersnatch was something new, something creative and unexpected, that directly changed the rules of engagement between viewer and film to its advantage.
