Fame and Secondhand Embarrassment: A Recipe for Success By Betsy Brossman Staff Botanist If you…
Lately, there has been this trend in horror movies where they feel the need to clarify why they’re scary. But what the writers, directors, and producers don’t seem to understand, is that the same rule applies to horror and comedy—if you have to explain it, you are probably doing it wrong.
I must admit, when I finished watching Quentin Tarantino’s ninth film, Once Upon A Time in Hollywood, I really didn’t know what to think. I walked away with some satisfaction, but an even more dominant sense of confusion. But upon doing some research, everything changed, and I realized that Once Upon a Time in Hollywood is easily one of Tarantino’s most brilliant films yet, and something close to a masterpiece.
If you were to tell me 4 years ago that Jordan Peele, co-star of a sketch comedy show, who made ridiculously funny jokes and satire, could make a truly scary movie that would completely screw with us, I would have laughed in your face.
Yet a new contender for Wiseau’s title has risen from whatever Tartarean pit produces these delusional movie makers—and his name is Neil Breen.
The MCU finally has a female-led film, and she is indomitable and indispensable
It was a Saturday in late July, and I was far too sick to go outside to get the farmer’s tan I had been promising myself since winter. With yet another shitty Jurassic Park sequel hitting the theaters, I figured I would watch the decent original for the first time since I was young enough to actually know the names of the film’s unwitting, dinosaurian villains. I quickly realized that the film was essentially a rehashing of Mary Shelley’s Frankenstein: a one-dimensional warning that what we “ought” and “can” do aren’t exactly one in the same.
Over the summer, the blockbuster Incredibles 2 hit theaters everywhere and it was an absolutely amazing movie I did not know I needed. First of all, they addressed the ending of the previous movie where the Underminer tries to take over the city. Even though he is not the ultimate villain of the movie, I thought the way the film used Violet losing her mask as one of its many plot points was pretty cool. It made us wonder what would happen if someone saw her in the mask. It was super dramatic, so go watch it (#nospoilers).
Here is a hot (and probably unpopular) take: the movie To All the Boys I’ve Loved Before is overrated.
Do not read this if you intend on seeing the movie. But don’t see it…